Author Archive for Alan Hutchison

Mini Product Review: ColorMunki Photo

The ColorMunki Photo Display and Print Profiling device

by Alan Hutchison: How many of you have a true grip on your colour profiling throughout your workflow?

Sure, you’ve calibrated your monitor right?  But what about that printer?

If you’re anything like me, you may have thought that proper printer profiling was the stuff of Voodoo and expensive peripherals with funny “spectra-something” names.  I certainly was – Until I saw a demo of the ColorMunki Photo.

Up until now, my colour profiling really just centred around my monitor – get that adjusted and then simply use the correct ICC profile for my selected printer/paper combination, right?  Well I don’t know about you, but I’ve never been truly satisified with the results.  To the point that I generally outsource all my printing to a local lab. Even then, I still get the occasional ropey output from the lab and have yearned to bring at least the smaller print jobs back in house.

Well, having witnessed how easy it is to profile a printer using the ColorMunki Photo I’m going to re-think my entire print workflow.  This unit is superb.

The Colormunki Photo is USB based and works like any other display calibrator – i.e. run the software, hold the calibrator against the screen when prompted, watch the pretty flashing cos and voila, your done.

When it comes to calibrating the printer it’s equally as straightforward.  The software generates a test print which creates a numbers of coloured blocks in straight lines down the page.  Once printed, the software cleverly sets a waiting time for the ink to properly dry and be absorbed into the paper – you are then prompted to scan the ColorMunki unit along each set of bars.  Any misalignment is flagged up by the software, but it is very easy and quick to scan the print.  Having processed the results, the software generates a second test print which is scanned once more. At that point you now have a fully matched profile for your printer and the selected paper.

Having witnessed the an image from screen display to the printed output, the colour matching is absolutely spot on – to the point that this unit is now top of my shopping list.

Furthermore, if you’ve been following Gavin’s advice on using a projector to sell large wall prints, you’ll be glad to know that this unit can also calibrate projector output very quickly and easily, ensuring your images look at their best when showing them to clients. It takes all of two minutes to calibrate a projector using this unit.

It’s an excellent piece of kit which retails for around £280 in the UK, 440 Euros in Europe and around $500 in the USA. However B & H has it on special for only $310 right now – I think I’ll be importing mine from the USA. You can also find it on Amazon.

Anyone want to buy my old Huey?

Great Photojournalism is Not Just a Numbers Game

Last minute nerves - Wedding Photography from Alan Hutchison Photography

by Alan Hutchison. In this age of rapid-fire digital cameras and almost endless supplies of memory, I am seeing more and more photographers who seem to simply capture as many images in a day as they can, and then pick out the winners later – as if it’s a numbers game – the more I take, the more winners I’ll get, surely. It’s luck almost.  Isn’t it?

Sure, luck has a hand in most things in life, but when it comes to photography there are a lot more variables to play with.  How about composition for one thing?

I was recently very lucky to be in the company of two of my great photography heroes, Jeff Ascough and George Weir (a fellow Scot who is now based in New York). Last month I attended their joint seminar on wedding photojournalism and came away very inspired and have since completely changed my approach to wedding photography.

For one thing they made me slow down and think. Continue reading ‘Great Photojournalism is Not Just a Numbers Game’

How to deal with bright sunlight on portrait shoots

Pre-Wedding Photoshoot - by Alan Hutchison Photography

by Alan Hutchison: More and more pro photographers these days are breaking out of their nice clean controlled studios to offer environmental portrait shoots.

Whilst the studio offers perfectly controlled lighting conditions, the big bad real world can throw up all sorts of challenges in your way. One of them is bright sunlight (ironically something I don’t actually have to worry about too much in my local area of Central Scotland).

But sunlight is easy to deal with, right? Weren’t we all told to keep the sun over our shoulder – i.e. ensure the light is falling on your subject.  Whilst this is all well and good, with harsh bright sunlight you are going to get subjects with squinting eyes – not the most photogenic of looks. Continue reading ‘How to deal with bright sunlight on portrait shoots’

Ten of the Best Website Platforms for Photographers

Ten Great Web Platforms for Photographers

By Alan Hutchison: After building a strong portfolio, getting a good professional website to showcase your photography is probably the next most important investment a professional photographer can make.

Take Gavin’s site for example.  Gavin has invested a lot of time in getting the look right, to match his branding and values, and properly showcase his work. Gavin builds all his sites on Wordpress and has the technical skills required to manipulate the HTML and CSS code on the site to make them truly his own.

However, not all photographers will have the necessary skills to do this, so this article will present what I believe are amongst the best looking (and easiest) website platforms for photographers out there.  They range from straightforward flash templates with a full admin interface, through to fully programmable portfolio sites with integrated blogs. All of these websites can be built with minimum technical knowledge and I’ll rate them from 1 (easy peasy lemon squeezy) to 5 (You lied. What is this CSS you speak of?).

Read on for what I believe (IMHO) are ten of the best website platforms out there for photographers.

Continue reading ‘Ten of the Best Website Platforms for Photographers’

Formal Portrait Lighting on a Budget

"Allanah" by Alan Hutchison

"Allanah" by Alan Hutchison

by Alan Hutchison: When we think of formal portraits we tend of think of studios and expensive lighting set-ups.  Well here’s a quick tip to achieve that same look just using available light, a scrap of dark cloth and a baby changing mat. Yes, you heard right, a baby changing mat.  Let me explain.

Continue reading ‘Formal Portrait Lighting on a Budget’

Let Auto-Iso Help Get You In The Zone:

The Violinist - Nikon D200 1/100s f3.0 ISO 800

The Violinist by Alan Hutchison – Nikon D200 1/100s f3.0 ISO 800

By Alan Hutchison: I tend to shoot in a photojournalism style and in my opinion my best images are those where I manage to capture a special “moment”.  It’s sometimes just luck, but a lot of the time it’s all about getting yourself into “the zone” and reading body language, watching for clues on when someone is about to smile or laugh, or do something a little crazy and knowing “the moment to click”.  So when I’m in “that zone”, the last thing I want to be thinking about are my camera controls – I have to know them so well that I can change them without even thinking.

One area where my camera really helps to get me into the zone is the “Auto-ISO” feature.

Continue reading ‘Let Auto-Iso Help Get You In The Zone:’




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